Time waits for no one, including Marshall James. Now 58 and living in New York City, Marshall has outlived the expiration date he was given with a cancer diagnosis three years ago. He beat the odds but he knows he may not beat the clock. So he’s decided to tell a story or three about some murders he was involved in back in the day.
The year was 1983. The bar was the Paisley Parrot in Hollywood, a gay, mob-run dive where people came to drink and few of them remembered the night before. Marshall loves his job as a bartender there. But one night, among the regulars, a killer arrives. Body by body, death by death, Marshall finds himself pulled into a web of murder, deceit and crime, with a psychopath waiting at the center of it all. Marshall falls for the cop who’s investigating him, not knowing if their relationship will survive or even if he’ll come out of this alive. Find out before last call comes around, in Murder at the Paisley Parrot.
THERE’S A SOUND TO NEW YORK CITY that never goes away. It’s not exactly white noise—that seems too clean for a place this filthy—but a perpetual hum that matches the eternal grayness of the night sky. When you spend significant time here, if you’re the least bit conscious of your surroundings, you realize after a while that you can’t see the stars and there is no such thing as true silence. New York City, especially Manhattan, is a relentless sensual assault. You see it even when you don’t; you hear it at all times, and, in the summer, as it is now, you smell it. That is its most inescapable trait from June through August. You can forget about stars you haven’t seen since you were last off the island, and you can marvel at what passes for quiet at 3:00 a.m., but you can’t ignore the smell of the place. Ripe. Rotten. The way you imagine a body smells when maggots are halfway through their meal. The greatest city in the world.READ MORE
All of it—the sounds, the sights, the smells—waft through my second-floor window like hot air in a slow updraft. This is especially true every Tuesday, also known as trash day, when the building superintendent and his helper of the week (they change almost as often as the girlfriends of the drag king next door) haul out a dozen trash bags and pile them by the curb. Clear plastic ones for the recyclables, the rest a dark brown, the kind they find torsos and arms stuffed into every now and then along the highway. No corpses in ours yet, just a week’s worth of Chinese takeout, cat litter, shitty diapers, and everything else we discard from our lives on a daily basis. There it sits, for a day and a night, basting in its own putrid juices until the garbage truck comes along in the morning waking everyone up, jamming traffic for a half hour as it crawls trash pile to trash pile. Ours seems to give off especially toxic fumes. Knowing that all odors are particulate, I keep my windows closed from Monday mid-day to Tuesday late morning. But it still seeps in, it still invades my home. Between the smell of summer waste and the exhaust from buses snaking up 40th Street to the Port Authority bus terminal across the avenue, it’s amazing my lung cancer came from smoking and not from living on this corner.
I’m a cancer survivor, not a combatant. I hate the way illness gets anthropomorphized, turned into some cognizant thing, a boxer in the ring with us. We’ve got the charity-approved pink boxing gloves on, and that cancer, that tumor, weighing in at a slim one-sixty and wearing the black trunks with the skull and crossbones, faces off against us in the title match of our lives. I never saw my cancer as an opponent or in any way conscious of what it was doing to me. I did not fight, at least not in any metaphorical sense. I just did what I was told to do, lived through the chemo and the surgery that took out a quarter of my left lung, and, to everyone’s great surprise, outlived my six-month prognosis by two and a half years.
Yes, it’s been three years since I first coughed up blood. It’s been almost that long since I enjoyed a Marlboro and a glass of bourbon—where I come from there’s no such thing as whiskey without a cigarette. And it’s been that long since I told my oncologist to take her dire prediction and shove it, in a nice way. We’re friends, so far as a man and his cancer doctor can be, but Dr. Lydia Carmello fully expected me to die when she said I would. She usually gets it right, and she’s not the sort of person to credit miracles. She’s a hard case, that one. She’s had to be. Death is the nightcap in her profession, after an evening of chemo and a meal of surgery for the ones who can be operated on. She assumed I would be one of her regulars—treated, comforted, referred to some support group where I could mourn the loss of myself while I was still around to do it—but nothing special. Then six months came and went. Nine months. A year. Two years. And finally, when I’d been in remission through the birth of Dr. Carmello’s daughter and the celebration of her first birthday, to which I was not invited, Lydia declared me an anomaly and said I just might get old after all. At fifty-eight I’m not that far from it, but she meant truly old, Social Security and Medicare old, the kind of old when saying you’re as young as you feel just makes you look foolish. Neither of us is counting on it, given the return rate of stage three lung cancer, but it’s nice to have possibility in your life.
I’ve had plenty of that, by the way: possibility. I was a kid who could have been something, given a chance. Too bad I never was. At least not early on, growing up in Indiana in a place too big to be a town and too small to be a city.
Elkhart in the 1960s and 70s was a bustling community of 30,000 or so Hoosiers. They headed to work at the Conn band instrument facility, or one of the motor home factories that gave Elkhart its claim to fame. We once had the highest concentration of millionaires in the country. It may not have lasted long, but it was something to be proud of. We were the RV Capital of the World. It still is as far as I know—who wants to compete for a title like that?—but I can’t confirm it, since I haven’t lived there in forty years. I went back to sell my father’s house twenty years ago and that was the last I saw of Elkhart.
Indiana was a place to flee when I was young. For a gay kid who came out at the age of sixteen, Elkhart was not welcoming. It didn’t matter that I was a native son, or that my family had been there for several generations. A queer is a queer is a queer, to paraphrase Gertrude Stein, and I was certainly one of those. I announced my sexuality in high school, survived the hostile and sometimes violent reaction of my peers, and got the hell out two days after graduation. My mother was already dead. My father was drunk and on his way to an early grave. My sister and brother were old enough to fend for themselves, and I was ready to get as far away as I could.
I’d seen a report on 60 Minutes about homosexuals in Hollywood. Or maybe it was specifically about homosexual prostitutes. I don’t remember exactly, but I recall being transfixed—not by the segment itself, which was judgmental of the seedy, sad lives of L.A. hustlers—but by the fact they existed. What was a hustler? I wondered. Where did they come from? What exactly did they do for money? I had an idea, having some experience myself by then, although it all involved high school classmates and no money was exchanged. But this was exotic. Alluring. And exactly where I went when I packed my belongings into my orange Gremlin, put the clutch in drive and pulled out of my dad’s driveway for the last time, returning only for short visits over the years until I went back to plant a ‘For Sale’ sign on the lawn. I wouldn’t have gone then, except my sister and brother refused to deal with it and somebody had to bury the old man.
Los Angeles. Hollywood. 1977. Crazy how a world so exciting, that drew me like a promise of freedom, would turn so dark so quickly.COLLAPSE
A. Gwin on Amazon wrote:
Mark McNease does it again with with “Murder at the Paisley Parrot: A Marshall James Novel”. Not only does he give us such well rounded characters as he did in his Kyle Callahan stories, they are memorable, loveable, hateable, flawed and you just can’t help but wonder what’s going to happen on the next page. Add to that the fact that he transports you back in time to a West Hollywood that is both real and factionalized that I that I remember many of the landmarks that were mentioned in the book both fondly and with a little regret (although I wouldn’t change anything). Sadly many of those places no longer exist. I found myself calling old friends to see what else is both there and no longer there anymore.
Mark McNease is such an awesome storyteller and gets into the seedier side of life with Marshall James. I found it difficult to put down and enjoyed the book from beginning to end. I will not bother to summarize anything here as the blurb does that for you. Suffice it to say that he present a story worth every bit of your time that is full of suspense, keeps you guessing at at every turn who the killer is and throws in a little extra twist at the end
READ THIS BOOK!!
Probably my favorite book so far this summer. "Murder at the Paisley Parrot" conjures up so many memories for me of the time, from French Market to the cheerful seediness of the gay-centric businesses along Santa Monica. Think of this book's setting as the gritty flipside of the world of the Pinx Video series by Marshall Thornton (Night Drop was really good), told by someone who was there.
The characters are very real to me and the plot entirely believable. I especially enjoyed the storytelling device of having the narrator being decades older; it's unusual and it works.
I have to admit that the explanations of why the characters didn't use modern devices like smart phones was a bit jarring at first but I realize that not doing so might have alienated younger readers, and frankly, they're the one that need to understand what it was like so they never allow society to return there.
All in all, a great read and a very promising start to a series. Now looking up the author's other works!
This is the first of three Marshall James Thrillers (Murder at the Paisley Parrot, Beautiful Corpse, and Final Audition (coming in 2022). There is also a short story, Paper Hearts, that was included in the anthology Cupid Shot Me, and is available as a stand-alone eBook.